As expected all the keys were set to ‘Sound xx’ ready for me to rename. I then opened the drum editor in the bottom zone in Cubase 9. The process I followed was to create a new empty drum map in Cubase – using the Drum Map Setup… option – and selected the empty drum map as the map for the midi track controlling Superior Drummer. What the reason is for the differences I don’t know but you may need some customisation to suit your particular setup. There were differences between the information on the Google Doc and my setup. If you are interested I used information from the following sources to help: See the Downloads section at the end it you want to try and grab if yourself. Painful though it was it’s finally done and the resulting drum map saved. The sound is excellent.There’s a job I really don’t want to go through again – creating a drum map in Cubase for the Toontrack Superior Drummer (version 2.0) N.Y. This show is competently played, has a rocking setlist with a lot of good choices, and features some nice soloing by all. I imagine if this lineup stayed together for a year, or so, they could possibly accomplish great things. I attended the Sep 23 show at the Berkeley Greek and this show is far superior. One Guitar sounds a lot like Jimmy Herring.ĭrummer Molo is a monster. My initial impression upon hearing 10 minutes of this was that this sounds very similar to me of how "the Dead" sounded during their 2003 tour. They were almost non-existent at Berkeley. Keyboards are finally prominent, but not overbearing. I like how they made their transitions from song to song. Sweet.Īfter listening to this show I was pleased with the overall quality of play. This recording has captured the hall ambience with definition. I usually complain that AUD's don't have enough bass, but this one features adequate low end. Thank you for doing it and for posting it. Maybe they have jobs and lives- something I severely lack right now. I'm posting this anyway because it's 85% listenable, people are jonesin', and the other 2 dozen tapers with their 50' mic stands are taking their sweet time posting their versions.
Mic stand gets hit at 5:05 and for 30 seconds sound is askew. My equipment is OK and the poor sucker eventually got up and walked away so I guess he was OK (although I really wanted to smack him). It takes about half a minute before I get my mics back in line and pointing back at the stage. Some poor sucker fell like a ton of bricks right next to my equipment during Uncle John's Band knocking my mic stand ajar. The encores got marred by some mysterious electronic noise that started half way through Unbroken Chain and lasts through Brokedown. My mic stand is only 8' high and the crowd was singing along, screaming at the top of their lungs and gererally having a good ole time. !!! WARNING !!! This recording has some issues.ġ.
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